[5 of 5—to begin click here: BEING CONSCIOUS: A Brief Introduction]
So we're all talking together now—that's part of being a whir-king and it's a good start.
When we talk we start someplace and we build upon it. This creates a conversation. To have the simplest conversation we need two points of view—providing two voices and two sets of ears. In this case one speaks and the other responds. It's an interactive process whereby as one of us talks the other listens; then we switch.
To do this of course we need to share our language and build upon what's said using a common understanding of what we mean. So talking is a form of parlay. And parlaying is important if you want to play.
We don't play a game by stopping it every moment and starting again. We begin the process and go with the flow, always building on what already is. So flow is parlay too. And parlay is a way of increasing flow.
Obviously, if you want to communicate, or play a game, you first need to agree on the rules. To do that the rules and limits need to be relayed to everybody and applied equally. In other words, everyone needs to understand them. That's how it works, and what makes a game fair, and fun. It's what gives us parity; and parity creates a level playing field. See, we all need to be on the same page even if we think we're not on the same team.
Now, lop-sided games are not particularly exciting to watch are they? Think how often we root for the underdog just to make it interesting. And they're not really that much fun to play either. After all, how satisfying is it to beat someone who's not nearly as good as you are? Where's the challenge? But a close match is a great match even if you don't appear to win.
Just getting to play at All is the game. And to play we need to be apart. To win all we need to do is realize we're playing a part, as our part. Sometimes it's a sour part, but that's only when we forget what we're really doing. When we re-member then it's sweet.
Think about it. While we appear to be separate the part we play is ours. That means the part we play is ours—which is every one's, and that means we're really all together. In that case, even when another one appears to win, since we're All together, we win too: another part of us is winning that's all. There are no 'losers.'
Now, if playing a part means appearing to be apart, how might No-Thing realize being apart?
And No-Thing wonders about this too. How does she seem to be apart when she's really All together?
"Ah..., ...paaa."
That's No-Thing. She's beginning to realize how she's being apart. It's tricky because she knows she's not really, she just appears to be.
Ah-pa. A pa? What's that? Well, we know don't we? It's a father. He goes further and that makes him a father. First he's a son, now he's a father? Then he's a creator too. Naturally, because he rules.
He creates with her and in her. He's really inner (in her) but he appears to be outer. That's right! He's within No-Thing and when he appears he creates with her—wither. I guess it seems to him that she withers away. Well, so she should since she's appearing to be as him. So No-Thing becomes nothing again. And he's all that's left. But isn't he right? Hmmm. He's perplexing and No-Thing's perplexed:
"Ah..., ...pa-rrrr!"
A pa-ray. A par! So that's how she appears to be.
No-Thing sews in par: when she draws in, he comes out. They're a pair sewing together all over the place. She draws in and he goes out; he comes up (a-pi) and she goes down (do-in); he looks right and she's what's left—which is nothing. She peers up and sees him, and he looks down and sees nothing. So they're both peers but he can think he's All One—alone.
You see, while he's obviously one, she looks like nothing. In that case, it seems that he wins and she pays for it. But since she knows he's really her expression, she's not in the least worried—she's Know-Thing. It's the pi-ray-sew she pays—the price for playing together as One. And the price he pays is feeling alone. Really though, they 'O' each other. Or he owes her if he doesn't realize what's going really on. When he re-members though, he doesn't owe her anything because they're one and he's relayed what he's becoming back in to her.
See, they're playing together, or at the very least they're parlaying with each other: that's pi-relaying. "I pi and you pi." Yippee! But what's up with pi? Let's take a closer look.
So in order to play we need to pi-lay. And to play we need to parlay which means we pi-relay. That tells us something.
Pi figures out the circle from the radius. Remember? In geometry we use an equation to determine the length of the limit of a circle: C = 2πr (where C = circumference, π = pi, r = radius). Alright, then let's look at this equation to see what we can learn about pi.
When we talk we start someplace and we build upon it. This creates a conversation. To have the simplest conversation we need two points of view—providing two voices and two sets of ears. In this case one speaks and the other responds. It's an interactive process whereby as one of us talks the other listens; then we switch.
To do this of course we need to share our language and build upon what's said using a common understanding of what we mean. So talking is a form of parlay. And parlaying is important if you want to play.
We don't play a game by stopping it every moment and starting again. We begin the process and go with the flow, always building on what already is. So flow is parlay too. And parlay is a way of increasing flow.
Obviously, if you want to communicate, or play a game, you first need to agree on the rules. To do that the rules and limits need to be relayed to everybody and applied equally. In other words, everyone needs to understand them. That's how it works, and what makes a game fair, and fun. It's what gives us parity; and parity creates a level playing field. See, we all need to be on the same page even if we think we're not on the same team.
Now, lop-sided games are not particularly exciting to watch are they? Think how often we root for the underdog just to make it interesting. And they're not really that much fun to play either. After all, how satisfying is it to beat someone who's not nearly as good as you are? Where's the challenge? But a close match is a great match even if you don't appear to win.
Just getting to play at All is the game. And to play we need to be apart. To win all we need to do is realize we're playing a part, as our part. Sometimes it's a sour part, but that's only when we forget what we're really doing. When we re-member then it's sweet.
Think about it. While we appear to be separate the part we play is ours. That means the part we play is ours—which is every one's, and that means we're really all together. In that case, even when another one appears to win, since we're All together, we win too: another part of us is winning that's all. There are no 'losers.'
Now, if playing a part means appearing to be apart, how might No-Thing realize being apart?
9. APPEAR
And No-Thing wonders about this too. How does she seem to be apart when she's really All together?
"Ah..., ...paaa."
That's No-Thing. She's beginning to realize how she's being apart. It's tricky because she knows she's not really, she just appears to be.
Ah-pa. A pa? What's that? Well, we know don't we? It's a father. He goes further and that makes him a father. First he's a son, now he's a father? Then he's a creator too. Naturally, because he rules.
He creates with her and in her. He's really inner (in her) but he appears to be outer. That's right! He's within No-Thing and when he appears he creates with her—wither. I guess it seems to him that she withers away. Well, so she should since she's appearing to be as him. So No-Thing becomes nothing again. And he's all that's left. But isn't he right? Hmmm. He's perplexing and No-Thing's perplexed:
"Ah..., ...pa-rrrr!"
A pa-ray. A par! So that's how she appears to be.
No-Thing sews in par: when she draws in, he comes out. They're a pair sewing together all over the place. She draws in and he goes out; he comes up (a-pi) and she goes down (do-in); he looks right and she's what's left—which is nothing. She peers up and sees him, and he looks down and sees nothing. So they're both peers but he can think he's All One—alone.
You see, while he's obviously one, she looks like nothing. In that case, it seems that he wins and she pays for it. But since she knows he's really her expression, she's not in the least worried—she's Know-Thing. It's the pi-ray-sew she pays—the price for playing together as One. And the price he pays is feeling alone. Really though, they 'O' each other. Or he owes her if he doesn't realize what's going really on. When he re-members though, he doesn't owe her anything because they're one and he's relayed what he's becoming back in to her.
See, they're playing together, or at the very least they're parlaying with each other: that's pi-relaying. "I pi and you pi." Yippee! But what's up with pi? Let's take a closer look.
So in order to play we need to pi-lay. And to play we need to parlay which means we pi-relay. That tells us something.
Pi figures out the circle from the radius. Remember? In geometry we use an equation to determine the length of the limit of a circle: C = 2πr (where C = circumference, π = pi, r = radius). Alright, then let's look at this equation to see what we can learn about pi.
C = 2πr
The circumference is the circle, or at least it's what we see of it. The two in the equation we can understand easily enough: it's No-Thing and Sum-Thing playing together. And pi? That's the beginning of the pi-ray-two (or π-ray-2), which is the part (par-to...). In other words, the act of limiting or defining the circle is the part—and that's how the circle appears to be. It's the means by which we lay the circular line that defines the limit of the circle to make something appear out of nothing (from the center, which is where No-Thing with-draws to or two). The radius we can break down as ray-do-ah-sew.
So now we've begun to define the terms with words, let's rewrite the formula again:
Why is it not a circle then, if everything goes ah-round?
It's not a closed circle because this image is a symbol of the womb of No-Thing, opening herself to become Sum-Thing in the first place. And she's still lying apart, ready to receive his awareness of her. Waiting, patiently, forever and ever—however long it takes because she has all the time in the whir-ld.
She can receive All he see-d while he was out whenever he's ready, willing and able to relay all he has become in. That's his way of becoming. This way—and its the only way—she realizes All her potential as him (and that's Shem; a Hebrew word for the divine essence of being).
This union of No-Thing and Sum-Thing is the entirely natural consequence of their lying together. It's the sacred marriage conjugated: from the Alpha to the Omega—from the beginning to the end with an All-inclusive love—the sum total of All they are as the realization of One Being Altogether, Loving All Together.
We can think of Omega another way too, as an inflated form which is No-Thing aspiring to be Sum-Thing. It only holds because No-Thing breathes life into it. If she stops, the form flat-lines. And we all know what that means, right? Perhaps we might thank her as our little way of giving back a small part of what we owe.
Now, the gap also represents her charge potential, just like we use in a spark plug. It’s a sign of the imaginary distance between them. This gap is nothing really; it's No-Thing herself represented by the infinitesimal point at the heart of the matter. It's her neck, It's her mouth he kisses, and it's where he enters her to consummate their union and create an everlasting life together. It's the doorway of her potential to manifest as him, so he can come out and play.
Now, doesn't All That sound like fun? Who want's to party now?
And if we can finally understand All this, don't you think it's just about time? Sure it is. It's All to Me.
You see, Omega represents how every seemingly closed circle is really open. It's a door way not a door. As soon as we realize our Truth it is open to us—it was never really closed.
Love opens the way to All Knowing. And the way opens like a flower that's ready to be phertilized by all our experience and our understanding of All; to phruit and then ray-pi-lay-in-to (replant) our seed in her phertile soil—the Soil and the Soul of One. So no, it's really not that dirty after all, is it? In fact, it's All quite simply diphine. And that's do-phi-in from beginning to end; from the Alpha to the Omega.
With this Great Realization it all begins all over again. Forever and ever, amen.
So now we've begun to define the terms with words, let's rewrite the formula again:
To determine the circumference, two times 'ah' pair do sew.
Well, that sound like a pair do sew twice—or once each but they're working together with the same limits (the center and the radius). And that's the in and out of it. See, this is where the part comes in: she goes in and he comes out.
Think of it this way, by sewing ah-round each one of the pair travels separately to lay its own version of the line that makes up the circumference. His we can see and her's is hidden. And when we sew this is exactly what happens: do-a-par-to-sew. Or do a part as if we're talking about playing.
When we look at a seam, we can only see one side. The other is underneath. It's hidden. As above, so below; or is it sew above, sew below?
And "two times 'ah' pair do sew" is a parody twice over. Well it is rather ridiculous when you think about it. A pair is two: that's two being as one. But only when they both realize it. Otherwise it's unrequited.
So both pi ray to, and then they travel the same distance around at the same time but in opposite directions, just like breathing in and out. When we breath in our lungs expand out; when we breath out they go back in. Our lungs expand according to the air coming in. So if one goes further or takes longer they won't meet and they won't complete the circle. Or maybe our lungs explode. Which is not such a good thing at all. To work they need to be on par.
To put it yet another way, as two pair do a sew (2-pi-radius), when they come back together they relay their unique experience of the journey around center and then go again to complete a circle each. That's the cycle and we call it a sine wave. When we sew, one thread goes one way (up) and one goes the other (down). Their different experiences actually strengthen each other because while each only does half the circular work after the first 'round' they go all around together, just like a seam sewn with two threads. At least that's how it seems to be. Sure, because that's what appears to be.
Now, ordinarily when we draw a circle we designate a center and then rotate as we draw an equidistant line all the way round. But by breaking it down and rearranging it (which we can do since multiplication is commutative so the order doesn't change the result), the formula for the circumference of a circle—which is what defines it and allows the circle to appear in the first place—actually gives us another way to think about it.
Now we can see how one pair with its two components working independently together accomplish 'All' together in half the time. And when they meet up again they get to relay their formation back in to each other; so that's information being relayed. Then they cross paths and do it again so they each complete a circle altogether: that's actually two circles, one you see and one you don't.
If they go back around the same center they re-inform or reinforce the pattern they've created, like darning. However they can also rotate around another center, like a seam, and create a line. And they can do this infinitely. So that's where the infinity symbol (∞) comes from! It's No-Thing and Sum-Thing sewing a seam where they each go all the way around, and that makes two circles joined together. Two being as one.
Summing this All up for us now then, to get All back together again we re-lay-in what we've all found 'out.' Relaying is what completes the circle. When two re-lay the radius pi times around they figure out the circumference, which is what completes the circle on the outside. And this creates a conversation. That's what's sewed, or said, with and in a circle. Just like us when we talk to each other, and even when we sew together. Remember the old convention our grandmothers' mothers arranged? It was called a sewing circle. How interesting. And man did they talk while they were sewing! Very interesting. Well it was to them anyway.
So the 'conversation' defines the limit of what we can do together, and it sets a stage where we can continue our verse together (con-verse), and it's All enacted within the circle. This stage of course is where No-Thing and Sum-Thing play or pi-lay. And furthermore, we can see they're on the same page! To keep the con-versation going they need to pi-re-lay. And so they build on what they've created together by playing on and on.
But notice how their verse is 'con.' That's a shortened form we use to mean a confidence game, right? So what does con mean? Well, we can look at this term three ways.
First, the pair must have confidence in each other. They need to trust that they'll both keep playing according to the limit they established together. For instance, if one drops out the game ends. That's obvious. And if one holds while the other relays then the game breaks down there too. If the thread breaks there's no more sewing that's for sure. And no more talking either for that matter.
Second, 'con' means both 'with' and 'against.' Right, but how does that work? With and against are hardly the same thing are they?
Well, remember how they're working with each other while they're also pretending to be apart. When they sew they go in opposite ways which means they're both with and against each other at the same time. They're playing a part, and this is the action. It's the act in the play they're in-acting with each other.
And the pretense of their play leads us to the third aspect: the con game. Here one of them forgot about their underlying unity and he thinks they're only playing against each other. This is where the game really begins to break down. Sure they might still be playing, but the trust has dissolved and so then has the quality of the game. And all because someone's forgotten the truth of the Great Lie. In that case lying has become the basis for action on his part ('his' because she can't forget, she's Know-Thing!). Sound familiar? To rectify the situation, he needs to parlay again with parity because this is the very foundation of their play.
Let's think about our conversation again and recall how each takes turns 'holding the floor' while the other listens. This is how the conversation builds. So no one's left out and the conversation can go on and on. It's self-sustaining. But there's no conversation if one does all the talking. That's what we call a lecture, and who came to play that game?
Think about this too: while the pie is finite, what can happen inside the pie is in-finite. In other words, inside there are no limits. Technically that means one can fail to relay what he's found out, but then the game ceases. We just can't afford to ignore the foundation of the game. Too much holding is an inbuilt mechanism to dissolve the whole thing. This simple truth is standing under the entire affair, and misunderstanding destroys the game.
OK, so once everyone inside the circle understands the circle, then the circle is complete there too. That's the area—the 'ah-ray-A.' It's also the 'ah-ray-in-A.' That's the common ground we play on—the arena—and by definition we share it. Which is just common sense after all.
So when we work out the area and thereby complete the inside too, then in geometry we use another formula to figure that out: πr² (pi-radius squared, or pi-ray-do-ah-sew squared). So, working together we can say that one pair does 'ah' to the second power. This is how we create another dimension from the line to get a plane. When we combine our parts we raise ourselves to a higher power—the power of two working All together as One—and so we create a plane. It's a pi-lane, or a pi-lay-in, and that's how we build somewhere to play. And how many ways can we cross from one 'side' of the circle to the other? It's infinite. We can cross the circle any way we want as long as we pass through center.
Now in linear terms, when we want to draw a circle we find center and then determine our limits, or rules, or lore, using parity—in other words we pi-ray-to. The laws we agree on become our parameters. They're how we measure what we can do. And here again we see the need to measure equally (para-meter).
So two pi-ray-out—they part—and each goes ah-round opposite ways until they meet. Then the two relay their unique experience of the same limit to each other (one went up or out and the other down or in). This creates the circumference (2πr¹) whereby two pi-ray-do-sew.
If they don't accept the same limits (the radius and one heart or center) then no matter how far they go ah-round they'll never ever meet and they can't relate to each other. In which case they may be working, but they're not working together. So when they agree we get 2πr¹, and the 'two pair does one power.' Fair enough. That makes sense.
However, to enjoy the arena they've created with the limits they place on themselves (same center and radius for each, or 1πr²), the two build on the unity they've established (by agreeing to their common limits). But notice how they must be centered on common ground. This is key.
When they both agree and work together on common ground that raises the extent of their limit to the power of two. It adds a whole new dimension to their experience and means they don't merely add their capacities together anymore—they multiply them! Where they only had the singular power of two added together, now they have their unity raised to the next higher power. Of course! That's because they've both come into their own pi-we-ray, so naturally they have more power when they realize how they whir-can as one. Now that's working.
Can you see it All coming together yet?
So the radius is how far out we go from center to reach the face of the circle. It's only by agreeing to such a limit in the first place that we can create an arena to play in, and to do that we first need to appear to be apart then join back together as an array. So with unity we increase the limit of our power; and now we've got room for everyone to hang around in. But remember, because this bears repeating too, it only happens when we whir-ka together.
Now equations are symbols of relative equality as well. That's what equation means; and hopefully we all understand what a 'relative' is. Of course the two 'sides' to any equation are not necessarily the same version, but they are equal. Furthermore, there aren't even any sides to a circle, except inside and outside. So here again we see the need for parity within our circle; parity in all our relationships. How on Earth did we ever think it was going to work any other way?
In the end there's just no way to comprehend the circle without pi. It's pi that makes the pi-ray-two. That's the pi-art or the part; and this is what allows anything to ah-pi-ray (appear) to be anything at All. Seeing is believing, right? Well, only sum-times. And who can see it All? Now that's a very sound reason not to judge right there, right? Individually we only have one point of view in an infinite see.
Think about it this way: how can we judge if we can't see All we need to see to be sure we know what we're really looking at? There's always more we don't see than we do, or as Shakespeare stated so memorably: There's more to heaven and earth, Horatio, than meets the eye. What appears to be is all we get to see and that's only what it seams.
And what about No-Thing then? Well, we've already noted what happens when we forget about her! Now, who feels like getting lost?
So there are at least two parts to every circle: the center which is No-Thing (inside) and the circumference that re-veils All (outside). If there are any sides these are they, and one of them is nothing while the other only appears to be! What are we fighting for again?
See, this is how it works. The circumference re-veils because by creating a face for No-Thing (an outer limit), All appears to be and that's how All is revealed: without its circumference we couldn't make out any point to the circle. And then we might even say parting is a necessary 'evil' so we can be seen to exist in the first place—it's such sweet sorrow, and all that (thanks again Will).
Now, in between the circumference and the center of course is something, or anything—and that's definite. A circle is defined once we draw it in which makes it finite. Then, again, what can be inside must be in-finite by definition. But when the circle is complete and everything inside knows itself and passes it along? Well, that's the All-knowing One!
So how do we get from the center to the outside in the first place? Again, we determine the ray-do-ah-sew—the radius. And as we've said the radius is our extent so this becomes the limit of our being together—it's the lore! See, that's all Sum-Thing does in the end: he-sew to-ray. That's his story anyway. Of course if we forget what we can't see we call it history, which is a big mis-take: don't forget how he owes her. Just because she appears to be nothing don't assume she's not valuable. Her worth is intrinsic. Without her he can't appear to be at All.
However you want to look at it, it's still 'array—see?' Right, that's 'a race.' And that's who-me-in be-in. It's what we be in as a who-mien: a Human Being. So we're all Human being in the Human Race, which makes us all a part of the Family of Man. Well, we're all human-kind, aren't we? And kind is what kin are to each other (or at least they're supposed to be). Now if that's not relative I don't know what is.
Of course if we're the Human Race then this should all be natural for us. Well it would be if we hadn't forgotten who we are and why we're here. Too many secrets and not enough play, that's the main problem. It's supposed to be a relay race, so we can re-member. OK then, don't forget to pass the baton.
See, everyone needs to make their own U-turn. Appearing to be out is good but by putting it all together we make it GREAT. It's a long and winding road so maybe we might think about helping each other out again. Say what? You thought you were in it all on your own? Hmm....
Well, if we want to come together being a part of All One, how do we do it? Let’s see if we can figure out how that one works too. Then we'll go back to our little story, shall we? After all, it's the lore! OK, it's only one lore, but maybe it's a half-way decent one. Hey, does that mean we don't have to descend all the way to figure it out? Who knows. But wouldn't it be great to at least cushion the fall?
Think of it this way, by sewing ah-round each one of the pair travels separately to lay its own version of the line that makes up the circumference. His we can see and her's is hidden. And when we sew this is exactly what happens: do-a-par-to-sew. Or do a part as if we're talking about playing.
When we look at a seam, we can only see one side. The other is underneath. It's hidden. As above, so below; or is it sew above, sew below?
And "two times 'ah' pair do sew" is a parody twice over. Well it is rather ridiculous when you think about it. A pair is two: that's two being as one. But only when they both realize it. Otherwise it's unrequited.
So both pi ray to, and then they travel the same distance around at the same time but in opposite directions, just like breathing in and out. When we breath in our lungs expand out; when we breath out they go back in. Our lungs expand according to the air coming in. So if one goes further or takes longer they won't meet and they won't complete the circle. Or maybe our lungs explode. Which is not such a good thing at all. To work they need to be on par.
To put it yet another way, as two pair do a sew (2-pi-radius), when they come back together they relay their unique experience of the journey around center and then go again to complete a circle each. That's the cycle and we call it a sine wave. When we sew, one thread goes one way (up) and one goes the other (down). Their different experiences actually strengthen each other because while each only does half the circular work after the first 'round' they go all around together, just like a seam sewn with two threads. At least that's how it seems to be. Sure, because that's what appears to be.
Now, ordinarily when we draw a circle we designate a center and then rotate as we draw an equidistant line all the way round. But by breaking it down and rearranging it (which we can do since multiplication is commutative so the order doesn't change the result), the formula for the circumference of a circle—which is what defines it and allows the circle to appear in the first place—actually gives us another way to think about it.
Now we can see how one pair with its two components working independently together accomplish 'All' together in half the time. And when they meet up again they get to relay their formation back in to each other; so that's information being relayed. Then they cross paths and do it again so they each complete a circle altogether: that's actually two circles, one you see and one you don't.
If they go back around the same center they re-inform or reinforce the pattern they've created, like darning. However they can also rotate around another center, like a seam, and create a line. And they can do this infinitely. So that's where the infinity symbol (∞) comes from! It's No-Thing and Sum-Thing sewing a seam where they each go all the way around, and that makes two circles joined together. Two being as one.
Summing this All up for us now then, to get All back together again we re-lay-in what we've all found 'out.' Relaying is what completes the circle. When two re-lay the radius pi times around they figure out the circumference, which is what completes the circle on the outside. And this creates a conversation. That's what's sewed, or said, with and in a circle. Just like us when we talk to each other, and even when we sew together. Remember the old convention our grandmothers' mothers arranged? It was called a sewing circle. How interesting. And man did they talk while they were sewing! Very interesting. Well it was to them anyway.
So the 'conversation' defines the limit of what we can do together, and it sets a stage where we can continue our verse together (con-verse), and it's All enacted within the circle. This stage of course is where No-Thing and Sum-Thing play or pi-lay. And furthermore, we can see they're on the same page! To keep the con-versation going they need to pi-re-lay. And so they build on what they've created together by playing on and on.
But notice how their verse is 'con.' That's a shortened form we use to mean a confidence game, right? So what does con mean? Well, we can look at this term three ways.
First, the pair must have confidence in each other. They need to trust that they'll both keep playing according to the limit they established together. For instance, if one drops out the game ends. That's obvious. And if one holds while the other relays then the game breaks down there too. If the thread breaks there's no more sewing that's for sure. And no more talking either for that matter.
Second, 'con' means both 'with' and 'against.' Right, but how does that work? With and against are hardly the same thing are they?
Well, remember how they're working with each other while they're also pretending to be apart. When they sew they go in opposite ways which means they're both with and against each other at the same time. They're playing a part, and this is the action. It's the act in the play they're in-acting with each other.
And the pretense of their play leads us to the third aspect: the con game. Here one of them forgot about their underlying unity and he thinks they're only playing against each other. This is where the game really begins to break down. Sure they might still be playing, but the trust has dissolved and so then has the quality of the game. And all because someone's forgotten the truth of the Great Lie. In that case lying has become the basis for action on his part ('his' because she can't forget, she's Know-Thing!). Sound familiar? To rectify the situation, he needs to parlay again with parity because this is the very foundation of their play.
Let's think about our conversation again and recall how each takes turns 'holding the floor' while the other listens. This is how the conversation builds. So no one's left out and the conversation can go on and on. It's self-sustaining. But there's no conversation if one does all the talking. That's what we call a lecture, and who came to play that game?
Think about this too: while the pie is finite, what can happen inside the pie is in-finite. In other words, inside there are no limits. Technically that means one can fail to relay what he's found out, but then the game ceases. We just can't afford to ignore the foundation of the game. Too much holding is an inbuilt mechanism to dissolve the whole thing. This simple truth is standing under the entire affair, and misunderstanding destroys the game.
OK, so once everyone inside the circle understands the circle, then the circle is complete there too. That's the area—the 'ah-ray-A.' It's also the 'ah-ray-in-A.' That's the common ground we play on—the arena—and by definition we share it. Which is just common sense after all.
So when we work out the area and thereby complete the inside too, then in geometry we use another formula to figure that out: πr² (pi-radius squared, or pi-ray-do-ah-sew squared). So, working together we can say that one pair does 'ah' to the second power. This is how we create another dimension from the line to get a plane. When we combine our parts we raise ourselves to a higher power—the power of two working All together as One—and so we create a plane. It's a pi-lane, or a pi-lay-in, and that's how we build somewhere to play. And how many ways can we cross from one 'side' of the circle to the other? It's infinite. We can cross the circle any way we want as long as we pass through center.
Now in linear terms, when we want to draw a circle we find center and then determine our limits, or rules, or lore, using parity—in other words we pi-ray-to. The laws we agree on become our parameters. They're how we measure what we can do. And here again we see the need to measure equally (para-meter).
So two pi-ray-out—they part—and each goes ah-round opposite ways until they meet. Then the two relay their unique experience of the same limit to each other (one went up or out and the other down or in). This creates the circumference (2πr¹) whereby two pi-ray-do-sew.
If they don't accept the same limits (the radius and one heart or center) then no matter how far they go ah-round they'll never ever meet and they can't relate to each other. In which case they may be working, but they're not working together. So when they agree we get 2πr¹, and the 'two pair does one power.' Fair enough. That makes sense.
However, to enjoy the arena they've created with the limits they place on themselves (same center and radius for each, or 1πr²), the two build on the unity they've established (by agreeing to their common limits). But notice how they must be centered on common ground. This is key.
When they both agree and work together on common ground that raises the extent of their limit to the power of two. It adds a whole new dimension to their experience and means they don't merely add their capacities together anymore—they multiply them! Where they only had the singular power of two added together, now they have their unity raised to the next higher power. Of course! That's because they've both come into their own pi-we-ray, so naturally they have more power when they realize how they whir-can as one. Now that's working.
Can you see it All coming together yet?
So the radius is how far out we go from center to reach the face of the circle. It's only by agreeing to such a limit in the first place that we can create an arena to play in, and to do that we first need to appear to be apart then join back together as an array. So with unity we increase the limit of our power; and now we've got room for everyone to hang around in. But remember, because this bears repeating too, it only happens when we whir-ka together.
Now equations are symbols of relative equality as well. That's what equation means; and hopefully we all understand what a 'relative' is. Of course the two 'sides' to any equation are not necessarily the same version, but they are equal. Furthermore, there aren't even any sides to a circle, except inside and outside. So here again we see the need for parity within our circle; parity in all our relationships. How on Earth did we ever think it was going to work any other way?
In the end there's just no way to comprehend the circle without pi. It's pi that makes the pi-ray-two. That's the pi-art or the part; and this is what allows anything to ah-pi-ray (appear) to be anything at All. Seeing is believing, right? Well, only sum-times. And who can see it All? Now that's a very sound reason not to judge right there, right? Individually we only have one point of view in an infinite see.
Think about it this way: how can we judge if we can't see All we need to see to be sure we know what we're really looking at? There's always more we don't see than we do, or as Shakespeare stated so memorably: There's more to heaven and earth, Horatio, than meets the eye. What appears to be is all we get to see and that's only what it seams.
And what about No-Thing then? Well, we've already noted what happens when we forget about her! Now, who feels like getting lost?
So there are at least two parts to every circle: the center which is No-Thing (inside) and the circumference that re-veils All (outside). If there are any sides these are they, and one of them is nothing while the other only appears to be! What are we fighting for again?
See, this is how it works. The circumference re-veils because by creating a face for No-Thing (an outer limit), All appears to be and that's how All is revealed: without its circumference we couldn't make out any point to the circle. And then we might even say parting is a necessary 'evil' so we can be seen to exist in the first place—it's such sweet sorrow, and all that (thanks again Will).
Now, in between the circumference and the center of course is something, or anything—and that's definite. A circle is defined once we draw it in which makes it finite. Then, again, what can be inside must be in-finite by definition. But when the circle is complete and everything inside knows itself and passes it along? Well, that's the All-knowing One!
So how do we get from the center to the outside in the first place? Again, we determine the ray-do-ah-sew—the radius. And as we've said the radius is our extent so this becomes the limit of our being together—it's the lore! See, that's all Sum-Thing does in the end: he-sew to-ray. That's his story anyway. Of course if we forget what we can't see we call it history, which is a big mis-take: don't forget how he owes her. Just because she appears to be nothing don't assume she's not valuable. Her worth is intrinsic. Without her he can't appear to be at All.
However you want to look at it, it's still 'array—see?' Right, that's 'a race.' And that's who-me-in be-in. It's what we be in as a who-mien: a Human Being. So we're all Human being in the Human Race, which makes us all a part of the Family of Man. Well, we're all human-kind, aren't we? And kind is what kin are to each other (or at least they're supposed to be). Now if that's not relative I don't know what is.
Of course if we're the Human Race then this should all be natural for us. Well it would be if we hadn't forgotten who we are and why we're here. Too many secrets and not enough play, that's the main problem. It's supposed to be a relay race, so we can re-member. OK then, don't forget to pass the baton.
See, everyone needs to make their own U-turn. Appearing to be out is good but by putting it all together we make it GREAT. It's a long and winding road so maybe we might think about helping each other out again. Say what? You thought you were in it all on your own? Hmm....
Well, if we want to come together being a part of All One, how do we do it? Let’s see if we can figure out how that one works too. Then we'll go back to our little story, shall we? After all, it's the lore! OK, it's only one lore, but maybe it's a half-way decent one. Hey, does that mean we don't have to descend all the way to figure it out? Who knows. But wouldn't it be great to at least cushion the fall?
10. FLOWER
And here’s No-Thing with All coming back in together again. She’s loving it so much she lets him go out again. Well, that’s love, right? If you love something set it free; if it loves you it'll come back, and all that business.
Maybe we should say if it realizes it loves you it will come back; and if it doesn’t, well, it’s potentially plain gone out. For better or for worse? Who can say? Maybe only No-Thing really knows for sure. In any event, when we're out we're still technically in No-Thing, so at least she knows where we are. That's reassuring, isn't it?
But how does No-Thing feel when she realizes everything's working together again—and how it all goes so easily if she draws in what she wants and then realizes it appears only if she lets go? How would that actually feel?
“Aaah..., ...phewww!”
Well, that’s a relief! And here he is again, looking phabulous, as All ways.
So No-Thing realizes all he needs to do is re-lay-phi and they both feel better—that’s relief by the way. Sure it is. But what’s phi?
Aha! Now I do believe we’re really getting somewhere. Why? Because phi is the golden ratio. Alrighty then; and what’s that?
Well, it’s a coherent relationship that remembers everything it is when it comes back together again. Huh? Yes indeed. Phi is the only way to compress everythingso that nothing is lost. Um....
OK. Let's try this again. We'll think of a flower. Maybe that will help:
Well, it’s a coherent relationship that remembers everything it is when it comes back together again. Huh? Yes indeed. Phi is the only way to compress everythingso that nothing is lost. Um....
OK. Let's try this again. We'll think of a flower. Maybe that will help:
Consider the lily. A lily? Is this an old joke? What’s a dumb flower got to do with anything? Hmm.
So it turns out that a flower has EVERYTHING to do with any thing and every thing. We can even say that’s true to the nth degree! Why? Because when phi-lay we-ray, that’s why. Oh sure, that’s clear now. ... Not.
Look at it this way, phi-lay-we-ray altogether creates a flower. We just need to run them together. And ‘phi-lay: we-ray’ also means ‘feel: we are.’ We’re using the consonants and ph-lowing them. In phact it's what we've been doing all along. So we might want to think about doing it more often now. Flow is a phi thing.
So when we lay phi we can array. Put another way, as an array we can live. And isn't that what a flower does? I think so, yes. Look at a sunflower, any flower, and see for yourself. On a more phundamental level, it's also what our bodies are: an array of parts. And even if we're blind we can pheel that! So phi-lay means feel too. Can you feel the flow?
So when we lay phi we can array. Put another way, as an array we can live. And isn't that what a flower does? I think so, yes. Look at a sunflower, any flower, and see for yourself. On a more phundamental level, it's also what our bodies are: an array of parts. And even if we're blind we can pheel that! So phi-lay means feel too. Can you feel the flow?
As for Descartes’s aphorism, “I think, therefore I am,” we’d much better say, “I feel, therefore I am; I think, therefore I know,” or even, “I think therefore I am; I feel therefore I know.” You decide. It’s six of one, half-dozen of the other actually. There's always more than one way to look at the same thing if you're just willing to be phlexible.
You see, for our consciousness to emerge from its primal state of being, phirst we need to realize ‘we are.’ To do this means we need to wake up to ourselves (aka. feel it) and then think about it too. Therefore, awareness or consciousness is the sum-product of feeling and thinking All together. We need to combine them every way we can: all our feelings and thoughts added together by all our feelings and thoughts multiplied together. Well, isn’t that kind of what life’s all about? Or maybe it should be. Well it can be when we join together and then raise our product to the next power.
So phi-lay means feel and that creates the perfect flow. We need our feelings to tell us how we're doing. It's the pheedback loop we too often phorget. Phi-lay is also phull; as well as phall and phail. Which is what happens when we forget. Except for when we fall in love of course. That's generally a good fall. But not if we can't re-member how to do it well and then we fail. That sucks.
Now, phi is the only creative ratio we know. Yes, it is; it’s true.
Well, think about it: if it phlows like a phuck.... I'm sorry, is that rude? Only if it means we can re-do it, over and over. Oh, don't be shy now. We already talked about conjugating the sacred marriage. And if there's no phucking there's no life! Not even in a test tube in a lab. Makes you wonder how and why it was ever considered prophane then, doesn't it? I wonder who came up with that idea? Hmmmm. I guess that would be because it's pi-ray-phi-in (profane), or 'pair phi in.' And that's pretty much what's going on when we're coming together, I'd say. So why is it 'dirty,' or 'bad?' Well that's a whole other story, and it's not nearly as 'bad' as you might think either.
Well, think about it: if it phlows like a phuck.... I'm sorry, is that rude? Only if it means we can re-do it, over and over. Oh, don't be shy now. We already talked about conjugating the sacred marriage. And if there's no phucking there's no life! Not even in a test tube in a lab. Makes you wonder how and why it was ever considered prophane then, doesn't it? I wonder who came up with that idea? Hmmmm. I guess that would be because it's pi-ray-phi-in (profane), or 'pair phi in.' And that's pretty much what's going on when we're coming together, I'd say. So why is it 'dirty,' or 'bad?' Well that's a whole other story, and it's not nearly as 'bad' as you might think either.
Anyway, and quite appropriately, every living thing is made with the phi ratio. No wonder it’s golden! Phi ratios are everywhere life is. Which makes sense really, because lay-phi is life. So if we don’t lay phi, we can’t live. Period. In fact we can’t even pheel without phi. Feeling is phi-lay-in. And this is how it all connects. Yet again, we need to go inside. Inside and outside are really the only sides there are, and even that only appears to be true.
In the beginning and in the end we're all on the same side. All the others are even more of a lie than the original sin of the Great Lie. Or is that the Great Lay?
In the beginning and in the end we're all on the same side. All the others are even more of a lie than the original sin of the Great Lie. Or is that the Great Lay?
Well, either way you look at it, Sum-Thing feels in the first place because No-Thing phi-lay-sew; or sow, or say, or see, or sigh. Again, you can take your pick. They are more ways of saying or seeing the same thing than you can shake a stick at, just like Shakespeare said (well, paraphrased). And of course both Sum-Thing and No-Thing phi-lay. That means they feel and flow All together. They have to or they can't connect to each other, just like it seams; and then they won't relate. Which is a problem.
In other words, once No-Thing feels she's nothing breathing All ah-round, then she realizes who she is in thought (being No-Thing and Sum-Thing, as One, flowing), and this is being altogether conscious. That's how she expresses herself All out so (s)he appears to be. Remember, nothing exists until No-Thing let's go. It's the going that creates Sum-thing, and then they whir-k All together.
In other words, once No-Thing feels she's nothing breathing All ah-round, then she realizes who she is in thought (being No-Thing and Sum-Thing, as One, flowing), and this is being altogether conscious. That's how she expresses herself All out so (s)he appears to be. Remember, nothing exists until No-Thing let's go. It's the going that creates Sum-thing, and then they whir-k All together.
So let’s go back to our flower then and see what else we can come up with.
Now, when a bud forms and begins to open it uses the phi ratio just as it does for every other stage of its growth. It expands with all it knows how to be using phi. And what does it know? It’s in-formation so, duh, it knows how to be itself. How else is it going to work? And then it only makes sense that if it wants to close back up again it simply gathers all it knows—according to the phi ratio—and pholds itself back in for a while.
Now, some plants and many water lilies do this every evening when the sun goes down, although some express their in-formation to experience the night and then withdraw during the day. (Maybe they're night owls in disguise.)
As an example, when a lotus flower closes itself at night it re-in-forms itself and we might even say it becomes recharged, since it con-serves what it is during the day by drawing itself all back in to center. Perhaps that’s one of the reasons it’s considered sacred (though there are many more). Hey, maybe it’s showing us what to do! Or maybe it’s just showing us what we do already. Huh?
As an example, when a lotus flower closes itself at night it re-in-forms itself and we might even say it becomes recharged, since it con-serves what it is during the day by drawing itself all back in to center. Perhaps that’s one of the reasons it’s considered sacred (though there are many more). Hey, maybe it’s showing us what to do! Or maybe it’s just showing us what we do already. Huh?
Well, when we sleep we 'dream,' and when we dream we reconnect with source. And we really, really need to reconnect with source because when we’re ‘awake’ we believe we’re disconnected! How’s that for irony? If we don't reconnect with source for a few days (or nights) then we go crazy and start seeing even more things that 'aren't there,' or eventually we die. Of course if we were connected to source all the time maybe we wouldn't really need to sleep at all. We'd realize the truth about the Great Lie and then we'd be able to flow phreely with ease (not dis-ease, but that's another story too).
So how does phi work then? It sounds complicated, what with all this growing busy-ness. Well, a simple way to see is by using geometry.
When we arrange phi-ratio spirals so they converge or emerge from a single point (we center them!), all the attributes of the spiraling waveforms come together perfectly. That means they all add up. They become truly Sum-Thing. And then they can align themselves and fire through that nothing of a center to expand out the other side. By expanding we mean grow. And growth leads to flowering, which leads to? More and more and more! Well that's multiplication then, isn't it? So now we have addition and multiplication.
When we arrange phi-ratio spirals so they converge or emerge from a single point (we center them!), all the attributes of the spiraling waveforms come together perfectly. That means they all add up. They become truly Sum-Thing. And then they can align themselves and fire through that nothing of a center to expand out the other side. By expanding we mean grow. And growth leads to flowering, which leads to? More and more and more! Well that's multiplication then, isn't it? So now we have addition and multiplication.
So phi waves add and multiply themselves without destroying any part of themselves. In other words, no wavelength is lost (wave is from waphe); no phelocity is lost; in fact no information that was learned 'out' is lost going 'in' whatsoever. Instead, all the parts of the whole spiraling wave come together and re-con-phigure themselves; which simply means they work themselves out by coming back in together again. The phi ratio maintains their integrity overall by showing how they can all work well together—so they can fully under-stand we-all or we-lay—to translate every single part through a single point: the infinitesimal zero point at the center of the array. This is the well from which we-all spring. And the point at the center of the array is all No-Thing appears to be.
OK, so what happens then? Where does all that ‘stuff’ go if it stuffs itself back in by converging on a single point? All we have left is a point then, and that's not much. In fact it's pretty much nothing, right? Exactly, that’s the point!
Phi translates all that comes together harmoniously—in other words, all it is as one—into that point, and then it all gets phired out of this world.
What? How can it fire itself out of this world? Where’s it going if it goes out of the world? Surely it’s lost then; after all, we can’t exactly see much of a point if it’s nothing, can we? Yes and no, but not in that order.
What? How can it fire itself out of this world? Where’s it going if it goes out of the world? Surely it’s lost then; after all, we can’t exactly see much of a point if it’s nothing, can we? Yes and no, but not in that order.
By sorting itself out well, everything comes to a phi-ring point. In other words, the phi ring compresses its around-ness so while the radius diminishes the whole configuration lengthens into a line. Think about rolling a ball of play dough into a string. Now, because nothing's left behind, this line sort of squirts itself in through the zero point at its center (remember, it's infinitely compressible) and as the radius is translated into length the whole thing speeds up, rather like what happens when we keep the same water pressure and pinch the end of a hose to make a jet. In this way, superluminal velocity is attained—which simply means what goes in winds up going faster than the speed of light. Neat huh? And now we have a super-duper conductor. So let's think about that some more as well.
Everything within our world appears to be ruled by the law of the speed of light, right? That’s the limit of what holds All that seems to be together here, well, together here. So if we supersede—or super-seed—that law, that lore, that story, that lie, then we can reconnect with All That Is beyond the illusion of the lore. Which is another way of saying we transcend the story of this reality. We literally trance end.
To do that, all we need to do is phire ourselves through the heart of the matter, which is the point. And then we reconnect with Who We Really Are All Together! We realize ourselves to become as One: a Sun—a Son of One Go-do! We transcend everything that appears to be here, becoming any thing again, to realize Sum-Thing, which is the beginning of All: the All-phi—that’s the Alpha. Now, when it fires through the heart of the matter—the point—it moophs back out into the Omega (A-me-go, how's that for phriendly? What—an alliance? Who'd have thunk it). It's phun to phunnel through and really get to see it All.
Well that sounds like a trip. So how do we come back again? I mean, you probably don’t want to disappear off into an infinitesimal hole, do you? It’s phun living here when we’re all getting along, you know, at the party. Sum-Thing is a phine thing if we all realize we're playing a part of the whole. So how do we come back?
Well, of course, that’s simple. If we know how to fire ourselves in, then we simply do it in the reverse order. In other words, we fire back through and wind up here again.
The key to remember is that the point of the matter is the heartof the matter: He-ray-to.... And hey now, there’s our hero; because he-ray too! So our hero is Sum-Thing after all, just like we said at the beginning. It’s No-Thing realizing herself as Sum-Thing and so becoming 'him,' because he's 'enabled two' by her, and now he can be One too.
Once he realizes he’s not just a meaningless something but Sum-Thing after all, then he-ray-to the point of it All, which is in the beginning and in the end No-Thing: the infinitesimal point of awareness at the heart of it All, from which we emerge in the first place.
See, All is No-Thing, realizing herself, or her-sole-phi. And since she's being him and he's appearing to be a part of her, we might also say her-soul-phi. Hey, we're all soul-mates in the end. Now All we need to do is realize it.
So there you have it. And here we are altogether, with All together. Well that's just great, and now perhaps Humpty Dumpty can be well on the wall too because he can put himself back together again. That way he mends his crown and becomes what he was all along: a phery good egg.
See, All is No-Thing, realizing herself, or her-sole-phi. And since she's being him and he's appearing to be a part of her, we might also say her-soul-phi. Hey, we're all soul-mates in the end. Now All we need to do is realize it.
So there you have it. And here we are altogether, with All together. Well that's just great, and now perhaps Humpty Dumpty can be well on the wall too because he can put himself back together again. That way he mends his crown and becomes what he was all along: a phery good egg.
Right. So, given all that, given how much we have to gain and given all we still have left to lose, perhaps we might ask ourselves this question:
Are we firing each other up with All Being One together, or are we fearing everyone altogether?
Are we firing each other up with All Being One together, or are we fearing everyone altogether?
We can choose life with the love of our sacred fire, or we can lose everything in fear. Paradoxically, this is a choice each one of us must make on our own, altogether.
And that’s a big part of the story. Now, what do we have to show for it?
And that’s a big part of the story. Now, what do we have to show for it?
11. SHOW
So here we are at last with our great realization of the greater one: the 10. We're in a state of illumination after All and now it shows. Which begs the question, how is 10 a greater One?
Well, the number 10 is a sign—go figure! It's a symbol of Sum-Thing (1) and No-Thing (0) standing side-by-side in relative parity (because he appears to be while she doesn't). They're a couple realizing All together as a greater One Being; two entities—the potential of No-Thing and the full realization of herself as Sum-Thing—adding their wisdom and experience to gather All into a greater One that includes them both.
And now that we realize No-Thing is Sum-Thing, we can also realize the Truth of All. This is the reunification of two working together as One—the true understanding of the sacred marriage, of two united as one. That's groophy. Check it out:
And now that we realize No-Thing is Sum-Thing, we can also realize the Truth of All. This is the reunification of two working together as One—the true understanding of the sacred marriage, of two united as one. That's groophy. Check it out:
When we look at the greater one, being 10, we can see we have the phallus (the '1')—that's rather obvious—and the phagina (the '0'), which might be less obvious but clear enough when we figure out how they're phormed: phallus is phi-lay-sow, and vagina is phi-show-in. See, now we can understand better where we like to go and why we like to do it. It's only natural. And when he-phi-in, well, that's just heaven, isn't it? Or it will be when we do it right. And notice how they're side by side and he's leading the way. Why? Because he appears to be while she doesn't. Still, she knows who she is.
So No-Thing and Sum-Thing realize how well they work together (just like we do) and now they can manifest as a greater One: 1 + 0 = 1. And this is the greater One Nothing they are in truth, while appearing to be One apart altogether.
Well, that's some kind of massive realization! So how might that go then?
So No-Thing and Sum-Thing realize how well they work together (just like we do) and now they can manifest as a greater One: 1 + 0 = 1. And this is the greater One Nothing they are in truth, while appearing to be One apart altogether.
Well, that's some kind of massive realization! So how might that go then?
“Aaaaaaah..., ...OHHHHHHH!”
Oh yeah, baby! That’s the big O; the Great Oh!—the universal orgasm of ultimate union—and so the sacred marriage is conjugated. Just as it should be, with a universal Ohhhh!
Thus the circle is complete. And that’s the point, expanded. So the whole truth of their lying together dawns as, “Ah-Oh!” That's the alpha and the omega being realized as One me—ah-oh-me: ohm.
We see now that No-Thing and Sum-Thing are perfect complements of each other—because he’s the manifestation of her heart’s desire. He's the realization of All she can be, and it's the Greatest Show ever. Well, what else would you call it? Fair enough, but what’s the Show?
It's the she-way of course. It's not the he-way, is it? That would be the how or the ho! Hmm. Still, it does sound sexist. Why does it have to be her way?
Because All is being her way. It’s the only way to be. See-he? That's she. Or chi—the flowing energy or passion of All That Is. It’s the way she manifests as One, to show herself so that she appears to be apart as him.
Alright then, what’s ever?
Let's use the old break-it-down routine again to work it out. Ever: a-phi-ray. So that's the eternal fire created in universal love—the eternal lophe of No-Thing to realize the potential of her liphe as Sum-Thing. And Oh! What a feeling! Hey, that’s funny. I know, it’s a lauph, isn’t it? He-he. OK, maybe not so funny. I just figure we should laugh whenever we can.
Anyway, this is the Great Whirring of All to gather, and so this union is the Great Whir-k, altogether. And what's whirl-ed becomes a manifestation of their One Being. It's how whir-lay-do. And that's the world for ya!
Now, once No-Thing and Sum-Thing are all back together again they’re in a state of perfect unity, and breathing as One, so what are we likely to hear?
“Aah..., ...haaah; Aah..., ...haaah; Aah..., ...haaah,...”
Shhhh! (that’s 'she and he' lying together again as One). They’ve been working hard. Now they’re resting. He's in ah-rest. But don't worry, he's not under arrest and it's not a prison. It's under-standing. And that's what's understanding All! So it's different.
You see, he's free to come and go because now he KNOWS what's under all his standing—just like she does—and it's her. Now he's understanding her too and it was certainly worth all the effort (ah-phi-ray-too). That's only fair. All for One and One for All. It's a two-way street: in and out.
Now he’s into her so maybe we can say he's in-two-time (he was out and now he's back in). That's in-too to-me—or night time if you prefer. But don’t fret about the dark. When the Son comes out again they'll create a new day to do it All again. Then they can experience the doing of a new day, and that would be the dawn of a new day, wouldn't it? So maybe it’s dawning on you too. Well it will as soon as you see the light. Then sleep on it maybe; you'll figure it out again.
In any case, when the doing goes ‘ah’ round again the Sun comes up, and that’s how it all dawns on Me, or Him, and always Her. All ways.
You see, he's free to come and go because now he KNOWS what's under all his standing—just like she does—and it's her. Now he's understanding her too and it was certainly worth all the effort (ah-phi-ray-too). That's only fair. All for One and One for All. It's a two-way street: in and out.
Now he’s into her so maybe we can say he's in-two-time (he was out and now he's back in). That's in-too to-me—or night time if you prefer. But don’t fret about the dark. When the Son comes out again they'll create a new day to do it All again. Then they can experience the doing of a new day, and that would be the dawn of a new day, wouldn't it? So maybe it’s dawning on you too. Well it will as soon as you see the light. Then sleep on it maybe; you'll figure it out again.
In any case, when the doing goes ‘ah’ round again the Sun comes up, and that’s how it all dawns on Me, or Him, and always Her. All ways.
And so we find ourselves back at the beginning, except we're beginning to realize All now. And aren't we All in the loop too? That means we can go out and do it again, and again, and again. Forever and ever, now “I’m in.”
Of course, this ‘Oh’ being realized here is the Omega. It’s the Greatest Realization of All or the gnosis of Sum-Thing—we might even call it ‘A-Me-Go’ since I Am phinally whir-king to gather All together—and it’s represented in Greek by a symbol that’s not a circle:
 |
| omega |
Why is it not a circle then, if everything goes ah-round?
It's not a closed circle because this image is a symbol of the womb of No-Thing, opening herself to become Sum-Thing in the first place. And she's still lying apart, ready to receive his awareness of her. Waiting, patiently, forever and ever—however long it takes because she has all the time in the whir-ld.
She can receive All he see-d while he was out whenever he's ready, willing and able to relay all he has become in. That's his way of becoming. This way—and its the only way—she realizes All her potential as him (and that's Shem; a Hebrew word for the divine essence of being).
This union of No-Thing and Sum-Thing is the entirely natural consequence of their lying together. It's the sacred marriage conjugated: from the Alpha to the Omega—from the beginning to the end with an All-inclusive love—the sum total of All they are as the realization of One Being Altogether, Loving All Together.
We can think of Omega another way too, as an inflated form which is No-Thing aspiring to be Sum-Thing. It only holds because No-Thing breathes life into it. If she stops, the form flat-lines. And we all know what that means, right? Perhaps we might thank her as our little way of giving back a small part of what we owe.
Now, the gap also represents her charge potential, just like we use in a spark plug. It’s a sign of the imaginary distance between them. This gap is nothing really; it's No-Thing herself represented by the infinitesimal point at the heart of the matter. It's her neck, It's her mouth he kisses, and it's where he enters her to consummate their union and create an everlasting life together. It's the doorway of her potential to manifest as him, so he can come out and play.
Now, doesn't All That sound like fun? Who want's to party now?
And if we can finally understand All this, don't you think it's just about time? Sure it is. It's All to Me.
You see, Omega represents how every seemingly closed circle is really open. It's a door way not a door. As soon as we realize our Truth it is open to us—it was never really closed.
Love opens the way to All Knowing. And the way opens like a flower that's ready to be phertilized by all our experience and our understanding of All; to phruit and then ray-pi-lay-in-to (replant) our seed in her phertile soil—the Soil and the Soul of One. So no, it's really not that dirty after all, is it? In fact, it's All quite simply diphine. And that's do-phi-in from beginning to end; from the Alpha to the Omega.
With this Great Realization it all begins all over again. Forever and ever, amen.
And now we’ve truly reached the end of our story.
This is All There Is, and it’s All Right Here.
This is All There Is, and it’s All Right Here.
So let's share one more aphorism about being conscious before we wind All This back up:
Out there is no understanding;
In here is understanding All.
Get it? Got it? Good.
Now you know: All is in the Heart of The One.
So then, which One are You?
Now you know: All is in the Heart of The One.
So then, which One are You?
AUTHOR'S NOTE:
Now we’ve theoretically established the existence of something out of nothing by telling a story. We’ve told it in English and used a particular sequence. But there’s nothing sacrosanct about how we did any of this.
We might just as well have reversed the process, starting at the end and working our way forward to the beginning, or used a different order altogether. And anyway, who can say these realizations don’t happen all at once? After all, we begin our story in no time.
We might have used different words to tell the tale, and even different languages. There’s a lot to choose from. It’s already been conjectured that all language shares the same source. This isn’t a new idea at all. So there’s really nothing stopping us from using the codes we’ve found with different words in different languages with similar meaning to tell a different version of the same story.
Having said that it's important to note that a direct translation of this text is pretty much useless unless the main idea is understood, and compensation made, substituting phrases and words and probably even altering the sequence itself. Each language has its own culture. This makes it difficult. Doable maybe, but tricky.
In any case, let’s also note how language itself is a symbol of something emerging from nothing. A word is not the thing itself but rather a sign or, vibrationally speaking, a signal of something else. And this alignment holds a clue—a key to understanding—which is that the sign is empty until it’s assigned a meaning.
In other words, we have nothing until something’s realized—from nothing. How appropriate! And isn’t that exactly what we’ve just been talking about then? Excellent point.
Mission accomplished.
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